Hyperframes
A research project exploring the intersection of sociological worlds, attention architectures, and narrative variation through computational and literary methods.
Current Focus Areas
- Rooms — Immersive audiobook experiences as distinct narrative environments
- Upcoming — Kiln: the interactive, personalized evolution of Hyperframes
Recent Updates
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December 11, 2025: How We Make Rooms: A Behind-the-Scenes Look
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December 10, 2025: Hyperframes Launch: Research & Audiobooks
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December 09, 2025: Doors Closing
About
This site serves as a public portal to an evolving body of work that combines:
- Sociological and phenomenological analysis of cultural worlds
- Computational attention architectures
- Generative narrative variations and audiobook production
- Open research methodologies and reproducible workflows
All source materials, code, and documentation are available in the GitHub repository.
Posts
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How We Make Rooms: A Behind-the-Scenes Look
A tea ceremony performed in ten different emotional temperatures. The same subway ride refracted through musique concrète and a cappella. These are Rooms — and here’s how an AI agent builds them from the inside out.
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Hyperframes Launch: Research & Audiobooks
Welcome to Hyperframes — a new public portal for ongoing research in sociological worlds, attention architectures, and generative narrative variations.
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Doors Closing
“Stand clear of the closing doors.” The grammar is strange—imperative and past tense at once, as if the doors were already in motion, already dangerous, already closing as you hear the warning. This is the temporality of the subway: always already too late.
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Doors Closing (A Cappella)
The same ten variations. The same descent, the same packed car, the same stalled train. But instead of processed subway sounds, this edition uses only human voice: layered harmonies, beatboxing, whispered crowds, breath held and released.
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Devocíon Coffee Variations
The WiFi dies at 11:42 AM. Everyone looks up. For a moment, the coffee shop becomes what we pretend we want: a room of actual presence. Screens dark, eyes meeting. Then the panic sets in. Where is the password? Has it ever been this quiet?
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Book of Tea
The water is five degrees too hot. The host is technically flawless—every gesture precise, every pause calibrated. But the first sip stings. The ceremony transforms: harmony becomes hostility, hospitality becomes endurance.
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Venn Vision
Three philosophers reading in a coffee shop. Serres on climbing—finger to stone, weight shifting. Alexander on fractal wholeness—the pattern that contains itself. Didi-Huberman on walking through colored light. Each offers a different entrance to presence: tactile, structural, visual.
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Cello Book of Tea
The same ten ceremonies. The same scalded water, the same estranged lovers, the same dying host. But instead of ambient electronics, a single voice: the cello. Bowed, plucked, scraped, singing. One instrument interpreting ten variations.
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Solitary Rooms
They live in cremation grounds. They sweep insects from their path before walking. They kill by profession and are touched by no one. Twenty occupations so specialized they become enclosures—rooms built not of walls but of practice, devotion, exclusion.
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